Faggoting |
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What is Faggoting? | ||||
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The word "faggot", "fagot" or "fagott" is not overly
popular in English but not without interest. A faggot, according to Webster's, could be:
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As a verb, to faggot or faggoting means
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In German, faggoting metals would be described as "gerben" or, in older versions
"gärben", "gärwen". The respective word family has just
as many meanings, including the tanning of leather, to mix doughy stuff (including food stuff and clay) by kneading and
to weld raw steel / iron pieces to a solid mass. Related is the word "Garbe" = bundle of cereal plants after reaping or sheaf. You just as well could call it a fascicle / fagott. | |||
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I have no idea how smiths in what now is England called their "faggoting"
around 500 AD or so, but the German ones most likely did call it "gärwen" or something similar. Whatever. Fagoting (or gerben) in a general sense obviously just means the formation of one piece of iron / steel by hammer welding several pieces. You could talk about faggoting your bloom instead of compacting it, and so on. I won't. I will use the term "faggoting" exclusively for: |
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A rather interstting if ominous point aboht faggoting is: | |||
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Weird - but there you are! My guess is that the people researching iron and steel history had no first hand experience of forging and just didn't know what a real smith was doing all day long. It's in some way similar to Engelhardt's complete ignorance of the pattern-welding that was going on all aorund him. There are none so blind as those who will not see. | |||
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In an old-fashioned bakery the kids on occasion were allowed to make their own
cake from pieces of dough left over from making the serious stuff. Let's say there were pieces of white dough, light brown
sweet chocolate dough, and dark brown bitter chocolate dough. You could of course just throw the lumps at random into a
form, bake the mix, and get a patchy looking multicolored cake with varying flavors. If you want a homogeneous cake with one color and one flavor throughout, you would do some "gerben" in the sense of kneading. Small kids would do that. The older ones were motivated to learn a few things on the side and made their dough in a way that resembles what smiths would do with pieces of different iron / steel:
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If you start with 7 layers - 2 dark brown, 2 light brown, 3 white - each about 2 mm thick,
you have 14 layers after the first folding, 28 after the 2nd, 56 after the 3rd,..., 7 times 2 times 2 times 2 .... times
2 (multiply 2 by 2 as often as you fold). Excuse me, I forgot this is an advanced module. So the number of layers NF after F foldings is obviously | |||
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An ancient smith didn't use a rolling pin but a hammer for the "stretching", and he did it at "welding temperature". Modern smiths in essence do use a kind of rolling pin that they call a roller. In contrast to dough the welding is not "automatic" but takes some consideration (I'll get to that). You loose some dough in the process whenever you cut of the edges after rolling to get a rectangular piece again; and you loose some iron every time you fold. No so much because you cut off the edges but because at the welding temperature you burn some of the iron, you form iron oxide or scale that you must remove. | |||
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In both cases the uniformity increases with the number of foldings. So folding a lot is good?
Not really. There are several reasons why there is an optimum number of foldings:
The long and short of all that is: |
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If you start from very inhomogeneous materials with respect to the carbon and
possibly phosphorus concentration that is also full of slag particles, proper faggoting will make it far more homogeneous,
with less total slag content (some is squeezed out while folding), and only small slag particles (because of all the banging
and stretching). But no matter how good you are at faggoting, the final product will not be as good as one made from more
homogeneous steel with fewer slag inclusions. Quite elementary - and very important. Good blade smiths around 300 AD (give or take a few centuries) had already reached the zenith of their craft. You, the smith in modern times, and any smith since then, cannot do better in terms of smithing skills. You only can do better because the materials you work with became better. | |||
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We might guess that the improvements in smelting technology produced blooms good enough for making a sword from one piece of faggoted steel around 1000 AD (give or take a few centuries). I'll get to that. But before I do this I must ask the tough if onerous question: | |||
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The answer, you guessed it, is simple: who knows? I certainly don't and I don't
think anybody else would know. There is a reason for this ignorance. It is difficult to impossible to determine if an old
iron / steel artifact has been faggoted. There are several reasons for this deplorable state of affairs:
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However, those are general problems. In a specific cases, something can be done and has been done. I' will first introduce and discuss the rathe recent work of Stefan Maeder, who more or less introduced faggoting to the archaeological world that so far has igmpred it. Then I will give examples from finds I made or was allerted to. | |||
Japanese Polishing and Faggoting | ||||||||
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With experience, you can always assess the quality of an old forged blade by looking closely at the blade - provided that it has been properly "polished". Looking at a (more or less black) as-forged surface or on a roughly ground one only betrays big defects like major cracks or huge inclusions. A perfect polish, producing a mirror-like surface may also not show much structural detail. If, however, your polishing procedure polishes different materials differently, you may now see something. That will automatically happen if the particles in your polishing slurry are not as hard as the very hard (martensite) parts of your blade but harder than the bulk steel. | |||||||
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Time to read up what I have written long ago about polishing. Here it is. And time to realize that early mankind, out to make that perfectly
polished blade, would more or less automatically run across polishing procedures that render visible some structural details
of blade on a "macro level", i.e. you can see it with the "naked eye" or at most by looking through
a simple magnifying glass. That part of early mankind that got totally obsessed with blade polishing are the Japanese. Others might have done it too; we simply don't know. Since no or very few Western swords older than 800 years or so survived with their original polished surface, we simply do not know how well all those Celtic, Romans, Merovigian, Viking, and so on, swords were polished. | |||||||
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The Japanese do have well preserved old swords and, more important, their ancient art of polishing
and evaluating polished sword blades survived until today. Here is an example from a Japanes "tachi", forged around 1370: | |||||||
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Japanese polishing makes the layered structure well visible. Of course, we can only see it because the welds are stucturally different from the rest. | |||||||
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That's why Stefan Maeder had three blades or parts of blades
from South Germany evaluated by a Japanese polishing expert. Since all blades were heavily corroded, only parts remained
after polishing down to the metal. What Maeder found out for his three specimen is rather interesting. Here is one example: |
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What we see is:
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Maeder thus proved his claim that the Japanese polishing method does allow to
"see" certain structures of Western sword blades. He did not prove his other
claim that modern metallographic methods cannot do the same because he did not make a comparison. Here is another example of what you see after "Japanese polishing": a pattern welded blade with three twisted layers in the center. Once more there are distinctive signs of faggoting. The pronounced structure (white line) of some weld seams between the twisted rods might indicate not-so-good welding there or the use of brazing with a "speiss" flux. | |||||||
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It is thus possible to detect faggoting - up to a point. We just have almost no
relevant data. There are, no doubt, some investigations into the matter that I'm not aware of, but all we can say from the
examples above is that faggoting was known at least to some smiths around 600 AD. Most likely it was known much earlier
but I have no proof of that right now (2015). Much later (Jan. 2018) I do have some hints that faggoting was known rather early by Celtish smiths. More to that lower down. | |||||||
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Faggoting requires extensive and conscientious fire welding. Just compacting your bloom also employs fire welding but not in a conscientious way. In fact, faggoting only makes sense if you do not produce too many new defects in the process. This brings us right back to fire welding as the most important technology in iron and steel working of blooms (as opposed to crucible steel). | |||||||
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Stefan Maeder meanwhile was able to analyze another sword by " Japanese Polishing". It is a 300 BC Celtic Sword from La Tène. Here is the picture: | |||||||
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While a lot is said about the power of Japanese polishing for revealing structures, nothing is said about what, exactly, one sees. My guess is that we look at the result of faggoting a sandwich of two steels with just a few foldings. | |||||||
The Sword from Singen | ||||||||
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Singen am Hohentwiel is a town in the heart of Suebia and thus also old Celtic country. In 1950 a remarkable iron sword was found in one of many graves discovered there. The people in charge allowed it to be investigated by metallurgists. The results were published in a somewhat obscure "Festschrift" 1) ; I give to you in full. | |||||||
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I have already covered that sword here, so I will only make one statement here: What you see below It looks very much like faggoted steel. It that is true, at least one smith in Suebia (where else?) knew how to faggot iron and steel as early as about 750 BC! | |||||||
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1) | Wolfgang Kimmig": "EIN GRABFUND DER JÜNGEREN URNENFELDERZEIT MIT
EISENSCHWERT VON SINGEN AM HOHENTWIEL"; p.37 and P.O Boll. T.H. Erismann, W.J. Muister; Dübendorf: "Metallkundliche Unbtersuchungen einws frühen mitteleuropäischen Eisenschwerts",; . 45 both in: Frühes Eisen in Europa. Festschrift Walter Ulrich Guyan zu seinem 70. Geburtstag (Deutsch) Hardcover – 1981 by Harold Haefner (Herausgeber) |
11.2.2 Metallurgy of Celtic Swords
Discussion of the "Cut Sword" Findings
Critical Museum Guide: Landesmuseum Württemberg; Württemberg State Museum, Stuttgart, Germany
11.3 Pattern Welding 11.3.1 Background to Pattern Welding
Sword Polishing and Revealing the Pattern / Structure
The Frankish Empire And Its Swords
Some Old Names Around Steel and Iron
11.3.2 More to Pattern Welding
11.6.4 Metallurgy of the Japanese Sword
11.1.3 The The Luristan Iron Sword
11.6.3 Making a Japanese Sword - Part 2
Metallography of 8th / 9th Century Swords and Saxes
Scythian Special Large Pictures
12.2.5 Static Properties of Composite Swords
First Iron Swords - Miscellaneous Objects
First Iron Swords - Literature Digest
11.3.4 Metallography of Pattern Welded Swords
11.6.2 Making a Japanese Sword - Part 1
Additional Pictures - Chapter 11.1
The Luristan Project - Results from Cut Swords
The Luristan Project - Results from Cut Swords Part 2
The Luristan Project - Large Pictures of Cut Sword
The Luristan Project - Results from Cut Swords
The Luristan Project - Results
© H. Föll (Iron, Steel and Swords script)