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Here is a large version of the map showing the area of the Danube
culture. The symbols denote places where something has been found; numbers refer to the exact locations. Only some
of the specific cultures going with the symbols have been indicated. For all the details see the book of Harald Haarmann |
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Source: A somewhat modified version of the map given
in the frontispiece of Harald Haarmann's book |
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The bnext few pictures I took while doing a Danube cruise on May 2025 The
first one is just a large version of the figurine from Karanovaone as shown in the backbone |
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This one we find in the (very good) Belgrad museum The 7,500-year-old "Red-haired
Goddess", as of today part of the permanent exhibition in the National Museum in Belgrade. It was found 35 years ago
near Odaci, Serbia. She is associated with the Starcevo culture; |
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Here is a nother version: photographed in the Novi Sad museum. Probably the original
but the museums are vague about that. |
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The beauty below is shewn in the Belgrade museum but originated from Lepenski
Vir that we visited, too The Lepenski Vir Collection in Belgrade contains items from the site of Lepenski Vir, covering
the chronological span from the 10th till the 6th millennium B.C., that is the Mesolithic (Lepenski Vir 1 and 2) and
Neolithic Period (Lepenski Vir 3). Here we see a typical "Fish Head" God sculpture |
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The guys below shown in the Belgrade muss are from the Vinca culture, as even
an amateur can tell by now. |
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The beauties below are found in the museum in Rousse, Bulgaria. It has more good
stuff but the description tends to be in Cyrillic |
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Finally,a double-headed figure from Gomolava-Hrtkovci, Serbia. Vinca-Plocnik Culture,
Late Mesolithic (5th mill. BC) Archaeologists still debate what it means Dound in the (very good) museum in Novi Sad,
Serbia |
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This set of twenty-one figurines and thirteen chairs is als from
the Cucuteni Culture, about 4900–4750 BC ("Pre-Cucuteni II"). The figurines were found inside a pottery vessel.
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Source: This
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Below is a picture of the "temple" unearthed in 2014
at a Trypillian site. I'm not exactly sure what one sees but it is definitely big. |
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Source: Sci-News.com, Oct 22, 2014
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Here is a geomagnetic survey of Maidanetske, showing what one can do with modern methods.
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Source: K.NuT RAssMANN, .ALEKSEY KoRVIN- PIOTROVSKTY,
MYKHAILO V IDEIKO AND ]oHANNES MuLLER:
"The New Challenge for Site Plans and Geophysics: Revealing the Settlement Structure of Giant Settlements by
Means of Geomagnetic Survey"; in:
Müller, J., Rassmann, K., Videiko, M. (Eds.), Trypillia Mega-sites and European Prehistory: 4100-3400 BCE, Routledge,
London, pp.29 -54 |
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Ain't those things below rather amusing? |
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Source: Photographed in the Cyprus Museum in Oct. 2016 |
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The "Kopffüßer" (cephalopod) below got my
attention because I'm going to be turned int one soon. A few days after we are back from Cyprus, a world-renowned surgeon
will take out a part off my fibula (that smaller bone in your lower leg) and stuff it into my mouth. Does not sound
like a lot of fun (and isn't; trust me, I went through the experience by now) but goes a long way in reconstructign
an upper jaw bone that was lost to begnin but recurring tumors. Soon I might have teeth again! |
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Source: Photographed in the Cyprus Museum in Oct. 2016 |
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Uluburun Shipwreck |
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Here is a picture of what the divers saw. I suspect though that
the cargo wasn't that "clean" but covered wth sand and debris. |
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Source: Photographed in the Bodrum Museum in May 2017 |
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A lomgitudinal section through the ship, showing how the cargo
was stored. This is an artists conception but based on the way the stuff was found on the sea floor. |
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Source: Photographed in the Bodrum Museum in May 2017 |
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Here are some ingots: |
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Source: Photographed in the Bodrum Museum in May 2017 |
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One of the show cases. The weapoms and the pottery are are obvious
but what is No. 9? Turns out it is a ceremonial scepter-mace of volcanic stone. |
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Source: Photographed in the Bodrum Museum in May 2017 |
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A show case with some of the precious stuff: |
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Source: Photographed in the Bodrum Museum in May 2017 |
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A close-up fo the hilt construction of two bronze daggers.
Several pieces of wood (?), ivory (?) metal etc, have been fitted to the bronze-enclosed "hollow"; possibly
glued in by the "turpentine" resin mentioned in the main text.
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Source: Photographed in the Bodrum Museum in May 2017 |
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With frame

Danube Culture
Early Metal Technology - 2. Silver and Lead
Critical Museum Guide: Metropolitan Museum, NYC
Critical Museum Guide: Museums in Copenhagen
Critical Museum Guide: Museums in Istanbul, Turkey
Critical Museum Guide: Roemer- und Pelizaeus-Museum, Hildesheim, Germany
Critical Museum Guide: Archaeological Museum in Heraklion (Crete)
Critical Museum Guide: Moesgaard Museum in Aarhus; Denmark
Critical Museum Guide: Neues Museum in Berlin, Germany
Germanisches Nationalmuseum, Nürnberg, Germany
Cyprus Museum
Museums in Athens and Olympia
Israel Museum
Early Copper Sites
The Frankish Empire And Its Swords
Illerup Ådal
Early Pyrotechnolgy - Pottery
Early Pyrotechnolgy - 2. First Technical Uses
Göbekli Tepe
Early Metal Technology - 1. Gold
Smelting Science - 3. Smelter Technology
Yumuktepe
Rosh Horesha, Shanidar Cave
Nevali Çori
Some Additional Pictures; chapter 10.1
Uluburun Shipwreck
Sword Places
© H. Föll (Iron, Steel and Swords script)