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"Damascene" Patterns |
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While I try to avoid the name damascene" as far as possible for the reasons
given here. I cannot avoid it, however, as soon as "damascening"
patterns come up. All and sundry talk of this or that damascening pattern so I will use the terminology, too. This
is a collection of patterns and names for patterns that I encountered while looking around. It neither claims completeness
nor correctness. As far as names for patterns are concerned, there are no sanctified norms. What is a herringbone pattern
for you might be a pinecone pattern for somebody else. . |
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It is even worse because:
- Discovering pattern welded old swords and realizing how they were made was originally a Danish / German enterprise with
special words that are hard to translate. Alan Williams in his book
uses German names like "Streifendamast" (stripe patterns or piled structure), "Winkeldamast" (otherwise
known as herringbone) and "Doppelwinkeldamast" (double-herringbone).
- It looks like people (including scientists) just make up names as they go along. One and the same pattern could thus
have different names even in just one language.
- There is a rapidly growing crowd of enthusiasts out there who make pattern welded objects with all kinds of patterns
and self-invented names. Some of these objects, if I may say so, are really ugly, defying the purpose of the exercise.
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Here are some examples of modern patterns
made by Master smith Devin Thomas 1). You can look at (and buy) his products
here:http://www.devinthomas.com/. How he makes these patterns I
don't know. It just shows what is possible today. The names are from Devin Thomas and he can, of course, name his products
any way he likes. The "herringbone" is classical, though. |
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Devin just continues the traditions. Gun and sword makers in
the 19th century had tables illustrating the various kinds of "damas" you could get from them; examples are found
in Manfred Sachse's book or here: |
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In what follows I will give you first a long list of names that I found in all the sources
I studied - in German and English. Then I take a closer look at some of the more popular ancient patterns found on swords
(and lance points). |
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What Kind of damascene patterns You Can Find |
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The
Illerup Adal books provide a very nice
compilation of the various patterns found in the "Danish bog swords" (and two other places): |
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All we need now are names for the basic patterns. I have started to make a little
collection2) but given up because it leads nowhere. |
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So I'm going to use my own words, staying as close to the "mainstream"
as possible. |
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Stripe
and Woodgrain Pattern |
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If you weld together a package of "bright / dark" steel and elongate
it into an (untwisted) "striped rod", patternwise you can produce
- Nothing (i.e. just the bright or dark steel) if you look at right angles to the striped side.
- Straight stripes close together if you look at the striped side of your striped
rod.
- Stripes at larger distances if you cut a perfectly flat striped rod at some angle.
- A "wood grain" pattern if your layers aren't perfectly flat but a bit
warped as shown below
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Examples of patterns obtainable from untwisted striped
rods The sample on the right also contains two twisted striped rods. |
Source photographs: From the Internet pages of Patrick Barta; http://www.templ.net;
with friendly permission. |
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Here is an example from the Nydam treasure: |
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Pattern welding; stripe pattern in Nydam sword |
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The etched cross-section is from a different part of the blade but shows clearly that four
7-layer striped rods have been used, separated by some other brightish material. The rods make up the complete core of the
sword. This is about the most simple pattern welded sword one could make. Here are some real blades from the Illerup Adal finds |
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Illerup Adal swords with simple stripe patterns |
Source: Photographed in the
Moesgaard museum, 2015 |
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Torsion Damast and
Some Tricks |
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Not much needs to be said; I have dealt with this most prominent pattern extensively
in the backbone. A very simple herringbone pattern can be produced by using just a few layers in your twisted striped rod; two might be already sufficient. With a bit more cunning you may produce patterns
like these: |
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The SAVL sword, incidentally, shows a nice wood grain pattern in the welded-on cutting edge
part on the right. Here are pictures of real swords: |
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Illerup Adal swords with twisted stripe patterns |
Source: Photographed in the
Moesgaard museum, 2015 |
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Combining striped rods that are partially straight and partially
twisted - clockwise or counterclockwise - allows to produce a wealth of patterns, just look through the pictures already
given. However, no smith - ancient or alive - can produce two twisted rods with exactly identical
pitch that would produce an exactly symmetrical pattern if put side-to-side. Since some
blades seem to have an astonishing symmetric pattern, the trick might have been to split a twisted rod down its center as
noted by Ypey. Splitting a long rod down its center is probably
not easy but can be done. |
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Left: Making a symmetric pattern by splitting a striped (and
partially twisted) rod Right: Folding back a stripe pattern |
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Also shown is an easier trick: folding back an untwisted striped rod on itself. This can be
sees on a number of IIlerup swords: |
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It is clear that a broken pattern welded sword could not be
mended without major pattern distortion, Nevertheless it was done on occasion: |
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| Broken sword welded together again |
Source: Photographed in the
Moesgaard museum, 2015 |
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This might have been a particular precious blade with a palmette pattern. Unfortunately the
museum makes no mention of this blade and the illumination is so bad that no details can be seen. |
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Serpent / Snake Pattern
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There is a lot of speculation about "the snake or serpent in the sword",
suffice it to mention Stefan Maeder's (German) 330
page opus "Steels, Stones and Snakes". I give you a special module on the topic. |
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There are, however, remarkably few old blades with "real" serpents
made by pattern welding. "Real" means patterns as shown below and not just a certain waviness of the pattern as
sometimes seen with twisted rods. The few "serpent swords" or "snake swords" that we know of, and the
ways for making them, will be the topic here. First a picture of parts of the (badly lit) "Stuttgart" serpent sword. The
badly corroded original sword does not show much structure anymore; its composition was revealed by X-rays. A replica based
on the X-ray findings was made and does show a nice "serpent in the sword". |
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The "Stuttgart Snake Sword". Replica and original |
Source: Photographed in the Stuttgart
museum |
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Another replica of a "serpent sword"
was made by Patrick Barta; a close-up can be seen in one of the patterns shown here.
The original is a 6th century AD sword found in Vehmaa,
Finland. The snake pattern is only on one side, covering about 1/3 of the blade. Here is the "original": |
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The Finland Serpent Sword.
Complete blade and enlargements |
Source: Internet; origin not disclosed. Probably V.J. Leppäaho. "Späteisenzeitliche
Waffen aus Finnland: Schwertinschriften und Waffenver-zierungen des 9. - 12. Jahrhunderts". Suomen Muinaismuistoyhdistyken
aikakauskirja 61 (1964). |
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Two "serpent sword" drawings were provided by Ypey3). The blades were found in Nijmegen and Iversheim
, respectively, both in The Netherlands. These swords are from the 9th and 7th century, respectively.
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| The Dutch Serpent Swords |
Source: J. Ypey; also in: " Europäische
Waffen mit Damaszierung. Archäologisches Korrespondenzblatt 12 (1982) pp. 381 - 388. |
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Madeleine Durand-Charre
in her 2004 book "Microstructure of Steel and Cast Iron" provides an example of a "double serpent",
unfortunately without detailed data: |
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Serpent Swords |
Source: Madeleine Durand-Charre; see above |
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We have a "veneered"
sword with two serpents on one side. Playing a bit more with the technique of veneering a all-steel blade with patterns
made from twisted striped rods leads straight to the swords shown here. |
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The latest find is perhaps the most illuminating one. A snake-patterned sword
was unearthed in West Heslerton, North Yorkshire, England not that long ago
(no precise date is given) and investigated in some detail. Dr. B. Gilmore reported the results in 19914) . |
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The sword dates to the late 5th /early 6th century AD
and is thus the oldest one (discounting the undated Stuttgart sword). It is also the only
one found in England so far. The metallurgical examination yielded the following results:
- Its composition is rather complex, see the schematic picture below. It is in particularly more complex than that of
the older Holland / Finland swords.
- Slag inclusions and other coarse defects are seen, often in weld seams.
- The edges consist of a high carbon steel (around 0,5 %) sandwiched between two pieces of low carbon steel (around 0,1
%). The blade was quenched, indicated by martensite / bainite formation in the very edges of the high-carbon steel part.
Microhardness values of up to 488 HV were found.
- The weld seams show the "white line effect", caused by an enrichment in Co and
As. It appears that a "carbon based flux" has been used in welding (whatever that is supposed to mean).
- The center core piece was wrought iron but with substantial and varying amounts of phosphorous (up to 0.5 %). The pattern
was made by twisting striped rods of welded stacks of very low carbon wrought iron and phosphorous iron (0.5 % - 0.8 %),
respectively
- The exact building of the snake pattern was fairly involved and is not completely clear in detail. The windings of the
snake, however are connected to changes in the twist direction.
Here is what that sword would have looked like: |
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Schematics of the West Heslerton snake sword |
Source |
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How are snake patterns made? Modern smiths have made a number of snake patterns
and debate hotly in how many different ways that can be done. There is always the easy if uninventive way described before: Weld three striped rods together, keep the center one untwisted.
Forge the package into an undulating shape, followed by grinding the sides flat again. This is always possible - but wasteful
since you grind off a good part of your rods, and labor intensive since grinding takes far more time than forging. So did
the old smiths have some tricks up their sleeves that we don't know yet? |
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That is just one of the questions around "serpent swords" for which
I do not know the answer. I also do not know the answer to these questions:
- Why do we have so few "serpent swords"?
- Was there any real significance to images of serpents as claimed by some (see the "serpent
in the sword" module)?
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Chevron Pattern |
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Here is the chevron pattern in a Nydam sword as drawn in Engelhardt's
book: |
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| Chevron pattern in a Nydam sword |
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Don't get your hopes up that you could see this pattern in the Moesgaard museum. First you need to find
that badly illuminated sword among many others. After you found it you cannot really see the pattern; it's to dark. Only
if you take a picture with a good camera and enhance it dramatically in your computer, you might get a picture. I didn't. |
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There are several ways to make a chevron pattern with (striped) rods; below are
four possibilities: |
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Examples of patterns obtainable from untwisted striped
rods The sample on the right also contains two twisted striped rods. |
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Of course you could also make "knots" at the intersections and what not. Look at
the examples provided and figure out for yourself, which method was used: Personally, I'm not sure (in contrast to some
authors). It doesn't matter much, however, because you always need a more or less finished blade first that you then decorate
with a chevron pattern. It can only been done by "veneering". In contrast,
with twisted stripes rods you can make a complete patterned blade. So far I haven't found a good recipe for making
sword blades with a chevron pattern, possibly only on one side, and with some other pattern (typically palmettes) inside
the chevrons. Maybe its time to make a suggestion: |
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Chevron patterns could have been
made by incrustation! |
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Incrustation (or "damascening" in
one major meaning of the word) in the context
of swords usually refers to metals like copper, silver or gold "inlaid" into grooves cut into the steel of a sword.
Here is a picture of what that looked like: |
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It is clear that for the incrustations shown above you need to cut suitable grooves into which
the soft metal is hammered. There is also another technique for decorating sword blades that we will meet whenever I get
to wootz swords but here you need to cut and hammer. |
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Now imagine doing it the other way around: Make a steel incrustation into a copper
plate. You don' t need to cut grooves into the copper. You can hammer the hard steel pieces right into the soft copper,
just as you can "hammer" a pea into mashed potatoes, a cherry into a cream cake, or sink a tooth into a steak. |
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So how about hammering a striped iron steel rod into a steel blade? The are both
hard so it won't work - except if you heat up the blade, making it soft! That might just work. You can press a chisel point
into hot steel, after all. It might work even better if you don't try to sink a whole striped rod deep into the blade but
embed just some wires
rather shallowly. Let's not forget that these guys knew how to make steel wires! They made whole chain mail shirts, after all. |
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Note that I'm not saying that chevron patterns were made
in this way: All I'm saying is that there are possibilities here. There is a 1000 AD sword in the treasury of the Essen;
Germany cathedral, that was made more or less in this way (involving some cutting of grooves and wires). |
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I can see all these modern Master smiths's out there grinning to themselves. They
might know exactly how to make chevron pattern blades, in contrast to me. Well; I'm open to suggestions, particularly for
the next part. |
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Palmette Pattern |
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Conrad Engelhardt
in his opus magnus supplied an exquisite rendering of a Nydam sword with a palmette pattern on both sides of a central herringbone
besides the chevron pattern shown above. Here it is: |
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Palmette pattern Left: Lithography from Engelhardt's book
Right: Illerup sword "SAFG / RNU4 |
Source: Engelhardt book; Illerup Ådal; Vol. 11, 12 |
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Engelhardt believed that the palmette
pattern was due to "damascening" = incrustations with iron /steel wires. Maybe
he was right? I have nothing to add to what I have said before.
I do not know for sure how palmette patterns were made, but I have some idea. More
examples can be found here |
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All that remains to be done is to look a mixes like "chevron
filled with palmettes"; something mentioned a lot in the Illerup Ådal books but not really shown. Below is one of the few pictures I could come up with.
More in this link. |
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Not knowing for sure how chevron or palmette paterns were made, not much can be said about
"filled chevron" except that it cannot possibly be easy. One major conclusion is unavoidable: |
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These swords were major pieces of art!
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1) |
You can look at (and buy) Devin Thomas' products here:http://www.devinthomas.com/ |
2) |
Ypey has: Flammendamast, Schlangendamast,
Streifendamast, Tosiondamast, Mosaikdamast, Gittermuster, Welliger Streifendamast
Sachse uses: Gestirnter Damast, Inschriftendamast,
Mosaikdamast, Hufnageldamast, Torsionsdamast, Rosendamast. and more In the Illerup Ådal; Vol. 11, 12 books we find: Winkelmuster, Steifenmuster, Zick-Zack, Rautenmuster,
Weizenkörner Muster; N-Muster, Zellendamast, Komplizierte Muster, Spiralmuster, ... I spare you the list of English
words. |
3) |
J. Ypey
: "Damaszierung"; in: Reallexikon der Germanischen Altertumskunde", Band 5, S. 191. |
4) |
B. Gilmore: "A Snake Patterned Sword Blade From West Heslerton, North Yorkshire. Ancient
Monuments Laboratory, Report 129 / 91 (http://services.english-heritage.org.uk/ResearchReportsPdfs/129-1991.pdf
) |
5) |
Engelhardt; Conrad: "Denmark in the early iron age illustrated by recent discoveries
in the peat mosses of Slesvig". London 1856
http://www.muenchener-digitalisierungszentrum.de
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With frame
Books and Other Major Sources
Damascene Meanings
Critical Museum Guide: Landesmuseum Württemberg; Württemberg State Museum, Stuttgart, Germany
Critical Museum Guide: Moesgaard Museum in Aarhus; Denmark
Critical Museum Guide: Neues Museum in Berlin, Germany
Germanisches Nationalmuseum, Nürnberg, Germany
Cyprus Museum
Museums in Athens and Olympia
11.3 Pattern Welding 11.3.1 Background to Pattern Welding
11.2.3 Roman Swords
Nydam
Danish Bog Sacrifices
Large Pictures 1
Sword Polishing and Revealing the Pattern / Structure
11.3.3 Evolution of Pattern Welding
11.3.2 More to Pattern Welding
Large Pictures chapter 11.4
Illerup Swords with Special Patterns
Northern Sword Types of the First Millennium
Serpent in the Sword
Käthe Harnecker and Wootz Blades
Additional Pictures
Illerup Ådal
Making Palmette Patterns
Large Pictures - Chapter 11.2
Cayönü Tepesi
11.3.4 Metallography of Pattern Welded Swords
Some Less Important
Maps of Various Cultures
The Kieler Notung - Hidden
© H. Föll (Iron, Steel and Swords script)